Category: Entrepreneurship

Make It Happen: 9 Stories from Working Women of the World

International Working Women's Day | Oh My! Handmade

It isn’t common knowledge that International Women’s Day began as International Working Women’s Day as a response to the working conditions in garment factories where so many laboured. Intended as a day of solidarity for women of all classes to acknowledge the struggles of working women and join their call for improved conditions, wages, and equal rights the theme for International Women’s Day this year is Make It Happen. Makers and handmade have the potential to change the status of women and other labourers, in our own communities and globally, radically redefining how the world makes a living. Imagine if this year we dedicated ourselves to making it happen not just for ourselves but for other women, joining a long line of heroines whose hands have shaped our stories. We’ll learn about Clara LemlichRose Schneiderman, and Pauline Newman when we dive into the history of this day, the Triangle Shirtwaist Factory fire, and the ethics of current manufacturing conditions in the textile industry on March 25th as part of our Ethics explorations. However, today our focus is the stories of women in our community who are currently working hard to improve their own conditions while showing that handmade business is a path to ownership, self-sufficiency, healthier lives, and happier families for women from all walks of life. One thing unites all the stories shared: making it happen isn’t easy, things are uncertain, no one is working 4 hours a week, it is still worth it. 

The success stories we talk about or that make the news are only a teensy part of our diverse community: women with disabilities able to earn a little income and supplement disability payments with meaningful work, single mamas leaving jobs that won’t allow for sick days or time off to make their own path helping other women, sole wage earners supporting whole families from their sewing machines, women literally making their way through school, couples choosing to live simple lives within the means of their simple incomes who need to think fast when the pipes burst. Each of these women are shining examples of what handmade (or any) business looks like: hard, often lonely, deeply satisfying work.  The hard working mother who lies awake at night thinking about how her low sales mean rice for dinner next week, or who will be evicted if she doesn’t make her quotas, or who had to choose between investing in the future or seeing the dentist. These are the stories have mostly been absent from the front pages of our sites but if handmade is going to be an economic force for change, one that helps close the last sweatshop and ensures fair wages for the work of every hand in every country, we have to start talking more openly and honestly about who needs our support and how we can offer it.

So pull up a seat and spend some time getting to know the inspiring working women who stepped forward to share their stories and their unique struggles and success with us this year. Everyone was asked the same set of questions: 

  1. Your business is your primary source of income – what kind of work do you do, how many hours do you work, how many dependents do you have, and how long have your been running your business? Additionally if you can disclose your annual income or employee salaries it would be deeply valuable for other women as this information is rarely shared publicly. 
  2. What have been the biggest struggles or obstacles you’ve faced being the main provider for your family while also dealing with the uncertainty of business?
  3. Have you found many other full time women makers who rely on their income to feed children, pay rent, or access essential services?
  4. What women have inspired or supported you most on your creative journey? Have you felt well supported or able to access the resources you need or have you felt isolated?
  5. If you could send a message of solidarity to working women all over the world and young women who will become the next workers what would it be?
  6. Do you believe handmade and creative work can improve living conditions for women and their families? Why?

Bella Grey Jewellery Designs, Karen Cameron

Karen Cameron, Bella Grey Jewellery Design

I design jewellery that combines natural beach stones, paper decoupage and silver solder. I am from the Owen Sound  area of Ontario, Canada. That’s a couple hours north of Toronto and situated right on Georgian Bay (part of Lake Huron), which is the source for most of my stone collecting. My jewellery style came about originally simply as experimentation for myself. I wanted something that didn’t look like anything anyone else was wearing and something that allowed me to combine favourite materials. This was the result but I had no idea then that it would turn into a full time business for me.

At the time that I was making my first big bunch of still experimental pieces, I happened to have a lot of big ‘stuff’ going on in my life….some of it by choice, some absolutely not. Within a one year period, I ended a lengthy marriage because I knew in my heart that it just wasn’t a healthy place for me to remain, a couple of months later I was diagnosed with breast cancer and  needed two surgeries and radiation but, thankfully, no chemo, and then, after returning to work following my treatment and recovery time, I lost a job that I quite enjoyed and depended on. My experimenting and playful passion for jewellery designing suddenly became a now or never believe-in-myself situation so that’s what I did. I chose to have a positive outlook about my abilities and the possibilities that would come from believing in myself and following my creative instincts and desires.

So I jumped in with both feet, lots of determination, and an open mind, and Bella Grey became my primary income source. The first year was completely exhausting but I knew where I wanted to take my business and I was bowled over and energized by the positive response and growing demand. I will admit, there were many times when I stayed up far too late, working into the wee hours of the night, in order to keep up with production and schedule demands. Year two brought more growth and lots of lessons in focus, self-discipline, and organization. Still exhausting but less-so and I was beginning to feel like I was going to actually be okay, that my business was going to be able to support itself, me, and my two daughters.

So, here I am, now nearing the end of year three and I have seen incredible expansion across the country with  wholesale accounts, sustained enthusiastic retail response, and ever-growing interest via communications from new customers within both realms. I now have a dependable friend who will help with production when needed at the  busiest times and that’s not only a big help, it’s a reminder that things are going well. I still work long days and weekends  find me either working at an event or on business things at least part of the time but I don’t often allow myself to become sleep deprived because of work demands anymore. So that’s progress…and a certain kind of success, I think.

I did develop a business plan from the start and I think that’s a crucial step in starting and growing any business. I worked hard on writing it and did my research and due diligence. It gave me direction, focus and goals to strive for over the first couple of years. It laid the ground work for meeting targets and I was amazed to find that my actual figures ended up being very close to my business plan projections. My annual sales have almost doubled over the three years, going from about $28,000 the first year to almost $50,000 this year. That, of course, is still a stretch in terms of making a comfortable living…as that figure must cover all operational expenses for Bella Grey AND support my family but I’m getting there and still loving  what I do.

Though it was a somewhat scary place to start out from for me, I was fortunate enough to tap into some wonderful resources. In my area the provincial government runs and funds a program that became my starting point for writing my business plan. Once I was on my own feeling my way through the first events and sales, I found a huge outpouring of support and guidance from artisans and handmakers who had once been in my shoes. Though these people were both men and women, there is, of course, a very evident solidarity between women who share the handmaker’s survival experience. While there are many who are selling their craft as a hobby or to bring in a second income for their families, many of the women I’ve met over the past three years are, indeed, single income earners who are trying to survive solely through their creative work.

I would say that, aside from the stress of working hard to bring in enough to survive on, the biggest struggles I’ve encountered in this experience are attempting to balance work time with family time, and finding ways to develop contingency plans in case something goes wrong at some point and income plummets or falls short. I find I frequently feel like I’m shortshifting my daughters on my time and attention because of work demands. Thankfully, though they’re older teenagers and don’t necessarily need my attention like they used to, I still don’t want them to feel that I’m not there for them if they need me. That’s something I am always working on. The biggest worry I see in working for myself is the possibility that some sort of emergency or health catastrophe could strike and that would be extremely difficult to get through. Still, despite that, I truly believe that I’ve never lived my life more fully and that makes it entirely worth the risks.

The greatest inspiration I’ve encountered along this journey came right at the start. When just the tiniest thought of taking my jewellery from personal playtime to business had not even fully taken root in my mind, I read an article in an arts magazine about a newly single mom, wondering how she would survive on her own, who, along with her mom’s help, turned her artistic projects from her youth into a hugely successful and fulfilling business. I so loved what she made and was so inspired by her story that I found the courage to believe I could succeed, too.

Karen’s message to other women:

If I could send a message to other women attempting to, or dreaming of, surviving through their creative work, and to the generation of young women who have yet to make that decision or face that need, I’d encourage them to dig  deep and believe in themselves, in their intelligence, their endurance and their love of sharing what energizes them. I  do believe that an income derived from a woman’s handmade creative work can improve living conditions for women and  their families. It allows a woman to move away from complete or even partial dependence on another person. Though there’s nothing wrong with a collaborative income supporting a family, there is a healthy strength and wholeness that comes with knowing that one can make it on one’s own if necessary, especially when that comes through nurturing a personal creative passion.

Mother Moon Pads, Denelle Philemon

Denelle Philemon, Mother Moon Pads | FB | Instagram

I am the mompreneuer behind MotherMoonPads. I help women create a positive experience with their menstrual cycles by providing them with quality, affordable, reusable cloth menstrual pads. I am a one woman company, so I do everything from choosing and purchasing the fabric, creating the cloth pads, photographing them, stocking them on Etsy, and shipping them out. I support my family of 5. I have been married to Henry for 15 years, and we have 3 children. Gwendolynne is 18, Ezekiel is 7, and Eleanor is 4. MotherMoonPads was born in October of 2008 out of a passion for sewing, a desire to become more green, and a need to contribute to our household income while raising our children.

MotherMoonPads was never intended to be my full time job. I graduated from college December of 2010 with my bachelor’s degree in accounting. The intention was always to close the business and go to work outside of the house, utilizing my degree. I had my third baby March of 2010, and it was then that we decided I should keep MotherMoonPads,  as it would allow me to stay home to raise my children. Aside from keeping my own books, to this day I have not used my degree. I have no regrets.

MotherMoonPads grew over the years, to the point where I was able to fully support our family for over 2 years while my husband dealt with some medical issues. It still remains our main source of income. We live very frugally, so I may keep my work hours to around 30-40 hours a week at this time. As I unschool our two youngest children, I tend to work either very early in the morning while they sleep. We thoroughly enjoy our days exploring the world together, so I try to complete all work by 11 AM at the very latest. I increase my work hours based upon our financial needs and goals.

The biggest struggle that I face being the main provider for my family is the instability of my income. A good stocking of products can have a great impact on our lives (and the flip side is also true). It has been difficult for me to reconcile the lack of reliable income. I believe in surrounding myself in the company of women who are inspiring to me. I am very blessed to know other women makers who support their families, or contribute a large portion of the family income while raising their children. I firmly believe that having this support network around me is vital to my personal and business success.

The following women are just a very small list of those who have supported and inspired me over the past 7 years of business: Gail Baker, Bright Life Toys, Tanya Bernard, Pampered Mama, Becky Andrews, Bumstoppers, Rachel Jones, OnTheRound, Erica Libenow, Talulah Bean.

If I have ever felt isolated, all I had to do was reach out to my support team. They have helped keep me sane during the ups and downs of running a small business. They have been there to dry my tears during the rough times and to celebrate during the fabulous times.

I believe handmade and creative work absolutely improves the lives of women and their families. Many women, myself included, struggle with desiring a creative outlet along with the need to provide and care for their family. Running a small, handmade centered business from home allows women to do exactly that. They are blessed with time to focus on family. They can set their own work hours around their children’s schedules. They are in charge of their income and priorities.

Denelle’s message to other women: 

“To thine own self be true” So much in life, love, and work will tempt you away from the truths you hold in your soul. Resist. Speak your truth and speak it loudly. Don’t compromise yourself or your business. The truth and strength is inside.

Do not look at other handmade sellers in your category as competition. They can be great friends, sources of inspiration and comfort. They are going through similar things in business. Lift each other up instead of being afraid of or tearing apart your “competition”.

Freshie & Zero, Beth Lawrence

Beth Lawrence, Freshie & Zero | @freshieandzero

 I run a handmade jewelry business – we are about 90% wholesale, with the remaining 10% coming from craft shows and our retail website. I have a husband who is essentially a stay-at-home dad but he does work occasionally (he’s a freelance music recording engineer – a very Nashville job!). I have two young children, ages 4 and 2. I’ve been running Freshie & Zero since 2006 and doing it full time since 2008. I currently have three part time employees.

People still ask me all the time when they find out I run my own business if I work from home or if I sell my jewelry in any stores. It’s difficult to explain that not only do I have a studio outside of my home, but that I have (3!) employees and over 150 active wholesale accounts without sounding self-important, you know? I am proud of all I accomplished and I want to convey that, but I don’t want to sound like I’m full of myself OR that my business is a quaint little hobby. It’s tricky. I think the assumption of a “working self-employed mom” still conjures up the image of someone who gets a little work done while her kids nap.

I think the biggest struggle for me is that I am in the unique situation of not only being a working mother, but a working mother with a primarily stay-at-home husband taking care of our children, and very little free time to connect with other women in a similar situation. I used to be able to cut out half a day to run errands or shop, but now that is a rare occurrence because there’s always so much jewelry to be made and paperwork to be done! I do try not to work on the weekends so I can have family time, but I still end up working at least one weekend a month. This leaves almost no time for fostering friendships which I know is a big hole in my life. Luckily, there is the wonderful internet which has been the best way for me to connect with other women in similar situations. We don’t judge each other for being workaholics, and we help each other navigate our business decisions. I’m sure there are other “mom-preneuers” in my city, but being a workaholic goes hand in hand with having little free time to connect with them!

With a K Writing, Kris Windley

Kris Windley, With a K Writing | FB | Twitter | Instagram | Pinterest

I am a professional writer, so I spend a fair amount of time working on my own writing projects (I’m planning a book right now about the process I went through to get into business and the lessons I learned in my pyjamas and hiding under the blankets).  I write for other people too though. I’ve written on websites, pamphlets and brochures and even more recently in a cookbook with Mayi Carles called the Life is Messy Kitchen. That was a lot of fun!

I also do a lot of consulting as a writing coach for other women in business. I’ve become obsessed with helping other women embrace their own voices and share them confidently, because I think we (women in particular) often find ourselves either trying to sound like we are “supposed to” or shutting ourselves up entirely – and I think both of those options suck. I also think that there is great beauty in the pieces of us that set us apart as real people: the things we tend to hide when we are afraid of being vulnerable, so I coach women to see those imperfections as what they truly are and share them with confidence.

I’ve been the sole contributor to my family’s income since my kids’ father and I split up, 12 years ago…2 days before I started my first University degree. I got through 2 University degrees and raised 2 daughters on my own, working nights at a nightclub and summers running a literacy camp for kids in one of the largest provincial housing neighbourhoods in New Brunswick.

Then I spent 5 years teaching (for next to nothing) at a small private school for kids and adults with learning disabilities…and a retail job…and a marketing research job. It was hell. I got sick all the time – and I don’t mean the “You’re a teacher” kind of sick that comes from being surrounded by the petri dish germ balls we moms call kids. I developed a mysterious autoimmune dysfunction that landed me on major autobiotics regularly. I stopped sleeping. I stopped loving my job teaching. I stopped being a good friend, and I stopped being a good mom.

I still loved and cared for my girls, but I was sick and tired and busy all the time. I was tense like a guitar string tuned way too tight, and they felt it. I could tell it was hurting them, and that just added to my stress – and to my tension. The whole show was a mess.

After another wicked fever and a terrible situation at my work coming to a head, I went to my doctor and just poured out my heart. She was amazing, and spent way more than my 30 minute appointment talking to me. She told me that I had to stop working for at least 2 weeks – that I had to – Just. Stop. Now.

I did – and the fallout at work was awful. They were furious that I was taking the time “off” and told me that I wouldn’t be welcome back if I did. I was stuck between my failing health, the needs of my employers and the guilt between. My then 10 year old daughter was the one who cut through the mess of all of the other people’s needs I was trying to fill. She told me, “WE need you” and I listened.

I spent those two weeks (and change) hiding under the blankets on my couch, feeling like I had made the biggest mistake of my life, and then I got up and I started my business writing for other women’s businesses and teaching them how to write well themselves. It’s been a process – figuring out what my real drive is and what I really need to do to help my clients most. It’s been fun! It’s been scary. It’s been exciting and revitalizing.

Every single thing has gotten better. I feel a pride in my work that I couldn’t ever have foreseen, and my girls do too. They are always thrilled to tell their friends and teachers about the fact that their Mom is a writer – that she works with people all over the world, and that she gets to be creative and do her own thing.

They’re unknowingly doing their part, shaking that societal belief that creative work isn’t real – that writers and artists and makers don’t actually make enough money to live on. My oldest daughter wants to open a restaurant when she’s older, and my youngest wants to be an artist. I love that they are ready to make their own way. I love that they aren’t afraid like I was.

My biggest struggle – bar none – was the belief that I was an impostor and that at any time someone would show up and tell everyone I was just a school teacher who could write well. At some point, I realized that expertise comes from working and learning and doing and creating. Somewhere along the way, I embraced the validity of my own voice and took my own advice – go figure 😉

I’ve been lucky to find a core group of women who work in the creative field online – running cool and varied businesses – but most of them are in a married relationship and so they don’t have that added pressure of being the “only one” in charge of making money. It’s quite frightening when I sit down and allow myself to imagine the worst case scenario, but I just keep pushing instead, and so far it’s worked. I’ve been supported in an almost mentor-like way, by April Bowles-Olin from Blacksburg Belle. She is a great teacher and is extremely generous with her knowledge and experiences. I met her in person, in San Francisco last Fall when I took 2 of her classes at Creative Live. It was one of the most wonderful and encouraging experiences I’ve ever had, and I met other students there who have since become great friends and confidantes.

I believe that creative work is a wonderful way to work as a parent. You can feel like the time you take away from you children is time well spent – building your work-legacy – and you can show your children that they too have the power to captain their own lives creatively. I can be there for my kids when they need me and I can show them through my own example that working for your own dream is not only possible, it’s realistic and possible.

My greatest purpose is to help women and girls learn that their voices are legitimate, their stories are amazing and they have every right – and responsibility – to share them proudly.

Craftypodes, Kelly Martinez

 Kelly Martinez, Craftypodes |@Craftypodes | Instagram | Pinterest | FB

Craftypodes will be three years old at the end of May 2015. Over those three years, we have transitioned from being focused on crochet and knitting to what we do now – cross-stitch and embroidery fiber art, patterns, and crafty tutorials. I was doing amigurumi crochet before my arthritis made that very painful and difficult for me to do on a daily basis, which promoted a shift to stitched work. I do all the embroidery that is not cross-stitch, and I also design cross-stitch patterns that my husband cross-stitches before we make them available. I am very much the creative force, but I also help my husband research financial and administrative aspects of the business. I also write the Tarot Tuesday feature on our blog, as well as all of the posts that talk about the stories behind my share of the crafting and my personal process in doing the work.

One of the benefits of running your own business when dealing with chronic health issues is a flexible schedule, but I put in a minimum of six hours of work a day for Craftypodes five days a week, and time spent doing actual crafting is on top of that. Counting the crafting, I can spend around ten to twelve hours a day working.

We don’t have any legal dependents, but we do have an elderly three-legged rat terrier. We will not be having children, so we don’t have to plan for them in our future.

While working to make Craftypodes a successful business and become self-sufficent financially, we are dependent on disability benefits at this point in time. Our combined income is less than $20k per year. I do have Medicaid, which is the government funded medical coverage for the disabled and those with low income in the US, so we do not have to pay for my arthritis medication, and my husband recieves his medical care from the Department of Veterans Affairs at no cost to us because his disability was caused by military service.

The current political and economic climate in the US is an absolute struggle. I’ve read about studies that show people become more inclined to blame someone else for having a problem the less confident they feel that they can do something to fix the problem or that they would have a safety net if they found themselves in the same situation. There’s a real problem with that right now, and people who do depend on government assistance are often blamed for needing help, shamed for accepting it, and used as pawns in political mudslinging that does nothing to address the reality of anyone’s situation. There are also problems within the VA that have created more struggle for many veteran families, including ours. We’re able to keep our bills paid but there’s no money if something goes wrong like our car needing repair, and our city does not have a robust public transportation system. It also makes it very difficult to find the money to invest in our business because we have too little income and credit for loans.

I struggle with my health, as well. I have Complex PTSD, which I am in treatment for, and it has contributed to my arthritis and my being overweight. I need to take the time to look after myself more, but there are only so many hours in a day. We juggle housework based on who can do it physically. My husband has pain and mobility issues that prevent him from doing a lot of tasks, so he’s happy to do the things he can. That leaves some things I simply cannot ask him to help with, as well as doing my share of the work for our business. We started our Patreon campaign this year so that we can slow down and I can take better care of myself, as well as take the time to do projects I wasn’t allowing myself to tackle before. The race to try to get more products out faster without sacrificing on the quality of our work was really doing a number on me.

The third struggle I have with our business is finding “my people” within the handmade community. We’re a couple of really big geeks, I see myself as an artist rather than a product maker, and I am a queer-identifed person with no children. It’s really great to connect with so many different people who have different skills and come from different backgrounds, but it is sometimes kind of lonely to be lost in a sea of stay at home moms doing more traditional handcrafting. Even among geeky crafters, I have trouble relating to people ten years younger than me who have a couple of kids and enough disposable income to keep up with movies, games, and comics better than I can.

I honestly don’t know the financial situations of a lot of other crafters I interact with, and most of them I do know about are running their business as the secondary income, if not a money making hobby. I do know Tessa of Krmbal Clothing is running her business as main income, not secondary. The women I have gotten to talk to within the handmade community have been very supportive! Trying to answer this question threatens to simply become a list of handmade businesses! To choose just a few, though, Shawna of Scrawny Girl always pushes me to go ahead with those really cool ideas I have that I’m afraid other people might not like. She reminds me that my art is to make my soul happy, first, and then other people if they “get” it. Tessa from Krmbal Clothing has always been willing to help in any way she can and is just a really easy person to talk to. Rebecca from Hugs Are Fun has been very encouraging about trying crafts that don’t come easily for me, and I credit her with me finding a love for English Paper Piecing.

I believe handmade and creative work can improve things for anyone. It can be empowering someone to start their own business, making it possible for them to make certain items and maintain them rather than buying and replacing them, or the mental and physical health benefits of crafting. And I believe we help girls and women when we teach boys to craft. It breaks down some of the walls that exist when we say this is “for girls” or “women’s work”. And if we accept that a man can create things with yarn or needle and thread, then we have to accept that a woman can be a scientist. We can do more with less by reusing a lot of things in our creative work, which absolutely improves living conditions in multiple ways. It’s never a waste of time to learn at least one craft.

Kelly’s message to other women: 

It doesn’t matter what age you are, what shape your body is, how you dress, who you love, whether you have kids or not, how you do or don’t worship – you deserve to thrive. Even if that’s not what you’re getting, remember that it’s what you deserve. Don’t let anyone convince you that you aren’t “good enough”. We’re stronger as a whole when our individuals are strong. Everyone is “good enough”.

Anne-Marie Verron, Groupe Talents Opera Paris

Anne-Marie Verron,  L’ours tombé des étoiles | Blog | FB | Pinterest

My name is Anne-Marie Verron, I create artist bears under the name “L’ours tombé des étoiles” which means “The Bear Fallen From The Stars”. I chose to create one-of-a-kind contemporary bears, in alpaca or mohair. I also make them scarfs, bows, small necklaces or hats to achieve giving them they own personality.

Because they are all unique, each bear has a name: the person who adopts one receives its authenticity card. It takes more or less 20 hours to create a bear, I spend about 6-7 hours a day in my workshop.

I started creating full time in june 2013: It was a big step but that was the true beginning for my handmade business. Ever since I made the decision to stop creating as a secondary activity only, my business has strengthened every year. In 2013, I was the French Artist of the Year, during the French Teddy Awards, thanks to my clown Jules. Since 2014, I am the first bear maker to be a member of the prestigious Art Workshops of France: artist bears are quite unknown in France, so it is a great recognition as an arts and crafts discipline. For my first participation, I had the honour to get a TOBY Industry’s Choice Awards 2015 (the most important american Teddy Bear trophee), for my bear Leon.

I have always worked alone on my bears. However, my daughter is very much helping my business to thrive! I went to a Teddy Bear fair in 2006 and when I walked out, Charlotte pointed out that I should try creating bears of my own. At this time, she was starting international public relations studies. She built me a website to help me present my art, and she takes care of all my English contents. She taught me how to take professional-looking pictures, launched my blog, social media accounts…She is a real asset, as she grants visibility to my bears! I get more time to create, while she takes care of the selling part. Without her, my bears would never have left my living room… I’m not sure I would have continued making teddies for so long, or at least it would only be a hobby. Now that Charlotte has got her Master’s degree, we are committing as a team more than ever to make L’ours tombé des étoiles successful! This adventure is truly a mother-daughter project, our skills are complementary and it’s amazing to live that together.

It is really difficult to find a job if you stopped working to raise children, that was my case. I decided to give it a try and start making bears to pay my bills! Working at home gives me much freedom to work wherever I want, follow my own rhythm… Doing what I love for a living and being available for my family has no price! Family members can sometimes give you a hand, that is a great way to create more bonds. The “trap” is that you can easily get overfocused on work, because it becomes an important part of your life and the frontier between business time and personal time can get blurry. It is important not to stay isolated, especially when you sell online. I have met a lot of local artists (not only bear makers) and made lots of interesting encounters. This is so fulfilling, I don’t regret making that decision at all!

Donna Druchunas

Donna Druchunas, Sheep to Shawl & Stories in Stitches | FB | Twitter | Instagram

I am a knitting designer, teacher, author, editor, and translator. Yes, I have had to do that many different kinds of things to make it work. I started my business in 2004 when I began publishing designs and articles in knitting magazines and published my first book of knitting patterns. But I’ve only been 100% supported by my business for about 2 years. Until then, my husband worked and I also did contract and part time work for tech companies. Right now my business grosses about 60k a year, but after expenses and such, my net income is less than 20k. I’ve been working on converting my business from “moonlighting” to a serious business and that’s growing every year as I improve my focus and change my offerings and business model to adapt. In the future I will be focusing more on teaching and mentoring new knitting designers and authors, as well as on my own writing and teaching. I will be doing less freelance editing and translation as I build up my income streams in these other areas.What have been the biggest struggles or obstacles you’ve faced being the main provider for your family while also dealing with the uncertainty of business?

The biggest struggles have been finding a lifestyle that is not too expensive to be supported by my business. We actually moved to a less expensive state where we could buy a house for cash and curtail our expenses as much as possible. We are always working on managing our budget and cutting expenses. If we had children, it would have been much harder. It looks romantic from the outside because we live in a 150 year old farmhouse in rural Vermont. We love our life, but it’s not as romantic as people think. We heat with wood, we have no pizza delivery, it’s 20 minutes to a latte and 2 hours to a Starbucks, 2 to 4 hours to “local” airports, and there’s always something to fix in the house. Like the burst pipes when it was 20-below zero the other night.

I’ve always been inspired by Annie Modesitt, another knitting designer and author, who has supported her family with her work for years. Deborah Robson of Nomad Press has also been a huge influence on me, and an ongoing mentor in many ways. I work with Cynthia Morris of Original Impulse as a business and creativity coach. Finally, I am part of Cigdem Kobu’s Progress Lounge, a group for introverted women in creative careers.

I don’t think having a lot of money is the most important thing in life. Standard of living would not be based on how much money you make, but on how much time you have to spend with your family and friends and doing what you want, rather than selling all of your time to some big company to do something all day that is meaningless to you. That said, there’s nothing wrong with having a day job that provides money to support your passions and your life, it’s just not the right path for me.

Donna’s message to other women: 

Don’t try to duplicate what anyone else does and don’t put yourself in competition with others. Start slow and be courageous and persistent. The best way to succeed is to be part of a community of like-minded makers, especially women who tend to have a different way to look at the world especially regarding how to make a living and how to define success.

Sara Milley, Parkadilly

Sara Milley, Parkadilly | FB | Instagram

I have been twisting wire and recycling one of a kind framing for 3 years! Over the past three years I have saved, recycled and sold 1300+ framed pieces! I twist wire day and night; because not only do I love what I do, I also support my family by doing so.

During the first two years of business, my husband was a student. I firmly believe in that age old saying “what doesn’t kill you makes you stronger”. It was a long hard road but every moment of it inspired me to become something more. The doubters and naysayers pushed me, and drove me to prove them wrong. And to date, I have.  Having an amazing support system, an amazing army of followers and the stubborn attitude allowed me to reach new heights within my business.

Sara’s message to other women: 

I believe in the dreamers, the doers and the rule breakers. Yes it is hard work, but when your dreams are so big, and your heart is full, the sky is the limit. The pure beauty in life that comes from doing what you love, overflows into everything you do. A creative mind is a healthy mind. Creative energy is good for the soul. The world needs women who break the mold, women who do the unthinkable. We are raising our children to believe in working hard, being yourself and breaking standards.

Penny, Taylored Curiosities

Penny, Taylored Curiosities | Blog Instagram

When I was studying my Illustration Degree at university, I spent the rest of my time making shop stock and selling my hand made designer toys online. At first I used etsy, but later changed to a stand alone shop. I worked in to the early hours of most mornings, and was tired a lot, but it paid the rent and made university possible for me. The rent was £550 a month and I managed to support both myself and my partner at the time. I am currently completing my teaching qualification, but I still spend all my spare time creating new art.

The time was always the biggest struggle. It still is. I love creating, it’s how I’d spend all my time if I could. But life gets busy and there’s always so much to try and cram in to every day. If there were more hours in the day, it would be much easier.

Also, some days you can go all day without talking to another human if you work from home. It can get lonely, so it’s important to make time to socialise. Stay sane ladies.

I think I know about four other women who do it as a full time, dependant source of income. It’s hard for them too as, like I say, there just aren’t enough hours in the day. Late night instagram chats help a lot to keep up morale when things all get a bit much. Since taking part in art shows and making lots of contacts, I have an amazing support system! The art world is full like minded people who will chat crazy to you in the early hours and who you can bounce ideas of. A lot of those are women! Holly, Kitty, Joanna and my Emily are a few of my non artist females who support me and my art (and my craziness). They are strong, independent women indeed!

100%! Creative women raise creative children and the cycle repeats. Who doesn’t want a world like that. This very weekend I went and sat with my aunt and great aunt who taught me how to crochet. I’m a strong believer in what I call campfire learning. If the women in our family don’t pass down their skills then who will. It’s bonding mixed with teaching and it’s beautiful. I can’t wait to share all my skills with my daughter. I’d wholeheartedly encourage her to become an artist if she wanted to. I think having creative people in a home is perfection.

Penny’s message to other women: 

NEVER let anyone tell you that you can’t or won’t achieve something. If it’s something you want, then do it. I don’t believe in problems, only solutions. I know life can get tough and blue days affect us all, but keep going, keep being you and tell those negative ninnys to jog on! (I am a natural worrier, hence my Worry Bean creations, so trust me, I know it’s hard sometimes, but you’re not alone).

Thank you for taking the time to meet this inspiring group of handmakers! Leave a note of encouragement here to say you see how hard they are working, purchase the work of their hands and invest in their futures, follow them on social media and take special care to shout out their awesomeness, give what you can to support OMHG your contributions help feed this family of four and make it possible to share diverse stories, but don’t stop there:

Look around your city, your neighbourhood, and your country – everywhere in every occupation are women who work so hard, take time to learn their stories and be their supporters. Share your own stories, speak up for each other, lean against each other. This is how we make life better not just for women but all people, not just in marches or on one day, but every day. Solidarity is wanting for others what we want for ourselves, a life with both bread and roses. We can make this happen in part simply by choosing to support the hands that make the world and reaching out our own hands to help. 

Be ethical inquirers this March with #OMHG

Ethics Explorers: OMHG's 5th Annual Ethical Inquiry

Every March OMHG explores ethics – from keeping our handmade community safe, reporting on the ethics of Pinterest, how to ethically pitch bloggersthe future of handmade, protecting your IPfighting infringement, registering trademarks, and so much more in the archive. Since it is now Ethics Awareness Month and National Craft Month, for our 5th year we’re becoming ethical inquirers digging into the ethics of handmade and the creative community.

No communities, companies, or creative folk act with integrity 100% of the time. Regardless of the person, craft or industry, ethics are a practice that take constant work, learning, and peer accountability. Unlike lots of industries handmakers and creative entrepreneurs don’t have a set standard of ethics, conduct or accreditation, or any real method of reporting ethical problems. This has left us often taking matters into our own hands and making things public in blog posts and social media, privately trying to figure out the best options, or just keeping quiet. The trouble with this is unless people are willing and able to speak up together all sorts of things might be hiding in the dark. So put on your headlamps and bust out the magnifying glasses – ethics don’t need to lack compassion or be painfully boring – looking at the hard stuff means we love our community and want to keep us all accountable when we make choices that cause harm.

This month we’re inviting you to help us find, and shine a light on, the ethical trouble spots in our industry and community. Fill out this simple survey, share your thoughts, invite your creative comrades to join in and become ethical inquirers together! 

*If you are reading this post by email or RSS be sure to visit OMHG to submit your survey*

[gravityform id=”29″ name=”Community Survey – Copy 1″ title=”false” description=”false”]

Thank you for being willing to dig into the tough stuff and be part of our 5th annual ethics exploration! Join our community for the head + heart + hands to support our work, join us every Thursday on Twitter to talk ethics with #OMHG or check back during March to read all our Ethics Explorers posts.

[Tweet “Survey the handmade community and be ethical inquirers with #OMHG ‎”]

[Tweet “How ethical is the creative community? Help #OMHG shine a light this March ‎”]

Hanging Trees & Piracy: The Unapologetic Ethics of Seasalt & Co.

Hanging Trees & Piracy: The Unapologetic Ethics of Seasalt & Co

Note: All of the information shared in this post was posted publicly online and is speculative in nature, it is neither libel nor slander to republish publicly posted information, many items have since been deleted online and so screenshots to all referenced quotes are linked for further research. All the photos and screenshots have been archived in Dropbox and can be viewed here, more documentation may be added as it is received. You are encouraged to think critically, investigate the facts, form your own unbiased opinions, then decide if you need to take action. OMHG has been a happy place of handmade goodness for many years but is also committed to ethical inquiry and asking important questions not only about the creative industry but about the world we are making together while presenting facts so our community can calmly make informed decisions about what to do. If you think you have witnessed or been a victim of online crime please scroll down to learn how you can report it! 

We live in times where our every move is open to questioning. Our public and professional lives are exposed to constant scrutiny from our peers and even 140 characters can blow up and escalate from a thoughtless Tweet into a public inquiry in a few hours. Jobs, careers, reputations, and even personal safety can be gone in single day. Just like in small town justice in the court of public opinion judgement is delivered swiftly and often ruthlessly. Simple conversations and concerns escalate into full on conflicts with sides being chosen and gauntlets tossed down at the first sign of a different opinion. Outrage can quickly flare up both for and against, quite often people get defensive, make personal attacks, real conversation or listening gets harder and instead of working towards either common understanding or solutions we can end up missing the bigger picture.  This gives the public a profound power that we don’t always use wisely. Too often the creative industry advises us to resolve conflict privately, ‘focus on the positive and avoid the negative’, just be nice, and don’t ask too many questions so as to keep everything pleasant and polite. However just like in a real community there are times when injustice or integrity call us to question the stories we’re being told and those discussions need to happen publicly so voices can be heard and understanding reached. Questioning is a foundation of a true democracy and a real community where people are confident in sharing their thoughts. Often things are already public when we come across them and instead of looking away we can choose to do some homework and share the facts as honestly as possible. Underneath most conflict is often a more complicated story that a little digging can start to reveal.

This week one of those complicated stories surfaced within the creative community when jewelery designer Rachel Stewart came across an image of a product called ‘The Hanging Tree’ represented by a noose and solitary tree, as seen here.


When Rachel asked on Facebook about the meaning behind the use of a noose in the graphic, this was the response from ‘Seasalt & Co’. When you’ve seen an image that represents something terrifying and your valid questions are dismissed most people don’t try to resolve things privately, they get upset. And tell their friends. Which is exactly what Rachel did, telling all seven thousand of her Twitter followers exactly what she saw and how she was responded to. The rest is nearly history in online-time, going from a few Google hits to thousands in the space of 48 hours, lifting Seasalt & Co. along with their websites and social media pages into the top of search results across the internet, while rallying forces of both opponents and defenders. From behind their avatar ‘Seasalt & Co.’ responded to complaints at first with non-answers along the lines of ‘I’m sorry for you non-understanding’ and eventually a rote “positive thoughts only” mantra, repeating ‘we are for the people’, ‘no hate’ style slogans while rapidly deleting any commentary from opposing voices on their Facebook page.

Rachel answered a few questions about her experiences trying to interact with ‘Seasalt & Co.’ and why she felt it important to speak out publicly.

What was your initial reaction to the graphic of the hanging tree? What concerned you most to see it used in such a way and did it impact you personally? 

My initial reaction was confusion. I needed to know why this was an advertisement and what were they trying to sell? My main concern was they were using such a triggering image to sell Photoshop actions, I sell jewelry I wouldn’t use such a historically horrific image to sell earrings. Imagine an ad for a necklace using imagery form the Holocaust? It’s ridiculous. I’m a black woman, seeing a noose in any context impacts me, we are still being “lynched” recently a black boy was hung right in my state, it’s not something I can take lightly and I don’t want anyone else to.

Why do you feel the response of Seasalt & Co. caused such conflict and anger from not only the Black but the creative communities as well? 

Because she didn’t get it, she didn’t want to get it, as a business owner you don’t wanna offend anyone, you take criticism and you turn it around. She didn’t care about any of it, her reactions were that of a person with no critical thinking ability, it was our fault for being offended.

How could Seasalt & Co. have responded differently and worked to change the outcome and public opinion? What can other companies and individuals learn from this conflict?

Well, after several complaints she should have apologized sincerely, I don’t believe she intended to offend, I really don’t think she thought about it, she is white she has the privilege of not having to. Even if she still felt like it wasn’t offensive she should have taken it down and made a different ad, she was trying, according to her to convey ‘dark and gritty images’ don’t need a noose AND a tree for that.

As citizens are we responsible for calling out ethical concerns publicly or should we try to resolve them privately?

As a black woman I cannot and should not be quiet, we had to be quiet or die not too long ago, I will never be quiet, I’m loud for the ones that couldn’t be or died trying. It’s time out for being quiet.

Jessica Humphrey, a professional photographer, designer, and owner of Monarch Visual also spoke out about the image publicly and shared her insight on the graphic and what an appropriate, professional response would have been from an industry perspective:

When you work within and market to the creative industry, you have to realize that words, symbols, and actions mean things. The same way we make art to intentionally evoke feelings, things we make can unintentionally evoke them as well. You should always try to be compassionate and LISTEN to the voices from within that community. Acknowledge them, address them head on. You may take some bruises, but people will still have faith in you and you’ll be better for it.


Multiple attempts to reach ‘Seasalt & Co’ for comment and information about ownership and practices was unsuccessful through Twitter, Facebook, and email to LEGAL@SEASALT-CO.COM the address given in the public statement posted by “Ashleigh” who apparently issued it as seen here. And for good reason seeing as Ashleigh does not seem to exist. In this profile on, a European social network, Ashleigh is listed as customer service for ‘Seasalt & Co.’ Ashleigh Mercer’s Facebook page can be seen here posting the same “Art Not War” graphic that the Seasalt & Co. Facebook page posted here. It was also posted on the owner of Seasalt & Co., Brittany Nicole’s personal Facebook page along with calls for No Hate before those were also erased. ‘Ashleigh Mercer’ was also seen liking comments and posts on the ‘Seasalt & Co.’ Facebook page.

Seasalt & Co. Ashley Mercer false profile

Seasalt & Co.

Most telling is that the stock photo for Ashleigh’s profile is located right here on iStockPhoto and was found along with 18 other results found by reverse searching the profile using the TinEye search engine. It does not take an expert in the law to know setting up a fake identity as your legal or customer service department for your fictitious company is not only ethically wrong but legally wrong, and possibly criminally so.

Fotolia stock photo © andreiuc88

Stock photography is something Seasalt & Co. seem to be familiar with. The image in the debated hanging tree graphic is not all that original, it actually uses a Shutterstock photo taken by user andreiuc88 published here and another version here, emails have been sent to Shutterstock to verify whether the images used are purchased but this is yet to be determined. Few artists and reputable designers would argue that an advertising image of a stock photo taken by another photographer with a Photoshopped noose, moody filter, and a provocative name qualify as art let alone social commentary, but this is the stance initiated and maintained by the ‘Seasalt & Co.’ Facebook page in defense of the graphic from the outset. According to their statements the image and product is clearly “for artists going through personal battels” and they are huge “supporters and advocates and are the voice for the unheard” this has become a key messaging tactic used to deflect any questions about their conduct. After being down for a few hours once crisis peaked online, the ‘Seasalt & Co.’ Facebook page has since been wiped of almost anything that relates to the incident and all dissenting voices, no matter how mild, are rapidly blocked or even threatened with legal action. As possibly intended “The Hanging Tree” served not only to incite anger in an already rallied and swift to act community as seen during the recent public education of Strange Fruit PR, but rallied supporters of ‘free speech’ quick to align questioning advertising as sympathizing with terrorism. The reasons why the black community responded so quickly and effectively are clearly detailed in this article by Pia Glenn on XOJANE. The ethics of ‘The Hanging Tree’ image or the use of imagery that commodifies death by racial violence, suicide, and self harm  is an absolutely vital and important discussion happening across the internet on sites like Wonkette and Feministe.

The remainder of this article focuses on investigating the response and historical behavior of ‘Seasalt & Co.’ and it’s apparent owner, Ms. Brittany Nicole Davis, as it relates to the creative community and industry. Included is information on concrete legal actions that can be taken by those who may have been harmed by the actions of this business owner and to help us all report on fraudulent business practices like identity fraud and piracy to the proper agencies.

Why publish this information publicly here? When children do harm we usually try to stop them from doing it again, the same should hold true for the businesses and companies we support or engage with. Sometimes those lessons can happen privately, especially when it is a first time or a minor offense between individuals and no lasting harm has been done. If the behavior is already public, is escalating, damaging to whole groups of people or our industry standards and has previous history we may also have a duty to report and look closer as concerned citizens. As a trusted resource for ethical issues that concern the creative community OMHG is reporting on this in the hopes of educating artists, consumers, and companies about best practices while setting a standard for reporting on these concerns.

Seasalt & Co.

Turns out this isn’t the first time, Ms. Davis, the documented owner of the business registered under a Fictious Name in the state of Florida as Seasalt Paperie (alias Seasalt & Co.), has been in the spotlight for questionable ethics and illegal actions. A few minutes of looking on Google turned up documented allegations of an issue that is very important to online safety; piracy, false business identities and aliases, and misleading information or lies told to public and consumers. Unlike copying issues of who-used-what-inspiration-first these are very serious, potentially criminal activities for creative companies and service providers to engage in or affiliate with. They also decrease consumer confidence and the capacity of credible business owners to produce quality work in a safe online environment.

The reporting on the conflict with Seasalt & Co. in the media this week by some widely read online sources such as PetaPixel, Feministe, ColorLines, even the Miami Times, and many more was problematic in referencing ‘Seasalt & Co.’ variously as a ‘graphic design firm’, ‘graphic design company’, ‘photo editing tool business’ and ‘small business’, without naming owners or verifying sources. This gave readers a false impression of company size and unwarranted credibility in our industry to what does not appear to be a design firm, may not even be a business, and is possibly one of many identities used by a single person for questionable ethical purposes and fraudulent activity.

Along with showing the world another example of racism in 2015, Rachel Stewart was also uncovering an old story for Terry Cutlip of Sassy Designs Inc.Terry’s company is a reputable business that according to their about page has an online shop selling close to 2,000 digital design items with over 18,000 registered customers. Sassy Designs Inc. is well documented and has been operating successfully and continuously under the same name (initially as an LLC and then incorporating in 2010) since 2002.    

In January of 2012, Terry was on a dinner date with her husband when she was alerted by a Facebook message from a friend that something major was happening related to her business, the contents of this are documented here by photographer Robyn Pollman of Buttons and Bows Photography and Paperie Boutique. Terry’s case is also publicly documented in a blog post called “The Cost of Sharing : Copyright is Very Real” which comes up fairly quickly with a search of ‘Seasalt & Co.’ or ‘Seasalt Paperie’.

Terry provided extensive documentation and clear answers to the questions asked about what happened, the response, and the aftermath. Her responses also help serve to educate all artists and creatives on copyright, digital theft, and piracy.

Do you believe Seasalt & Co is owned by Ms. Brittany Davis? 

Yes, I know that Seasalt & Co is owned by Ms. Brittany Davis. The original name of the business was Seasalt Paperie as noted in the customized Facebook link. [Here is the document from] Florida Secretary of State’s website showing that the business name “Seasalt Paperie” is registered as a fictitious name to Ms. Brittany Davis. This also includes her current home address in Floral City, FL. This is the address in FL that all court notices for my case have been sent to and it is verified to be hers.

Did having your work resold and dealing with this case and Ms. Davis impact you either personally and financially?

I have to clarify – she was NOT reselling my work. She was not profiting from it financially in any way that I am aware of. She had all of my items posted on a piracy / file sharing website. She actually took a screenshot of windows explorer on her computer showing ALL of my files that she had and then she made them available to this underground community for free. In exchange for her “share” she was then given files from other “pirates” belonging to other designers that she had been wanting but, did not want to actually pay for. Kind of an “I’ll scratch your back if you scratch mine” deal. All of it 100% illegal and blatant theft.

Her theft absolutely impacted me financially. She had over 100 files of mine with an average retail of $4.00 each. This group of files was downloaded over 19,000 times. Imagine if all of those people that were getting them for free actually paid for them? What if even HALF of them made a purchase? That is a lot of money and that is what substantiated our $8.3 MILLION damages request in court. What the court felt comfortable awarding me was $210,000 and that figure comes from a provable loss of income from the years 2012, 2013, and 2014 based on my corporate tax returns and profit and loss statements.

The stress of the entire case of course affected me personally. The incident happened in January of 2012. I worked with my attorney for nearly a year to gather information and proof to substantiate our case and then the official complaint was filed with the Cuyahoga County Court in April of 2013. My judgment was awarded in August of 2014. I invested a lot of time into this, not only to collect damages for what she had done to me but, to be one person that finally stood up against this type of situation to prove that fighting is worth it. I firmly believe that if we can work together as a community and support each other that eventually the good will always prevail. I was ONE of nearly a dozen vendors affected and the ONLY ONE that took legal action. I can’t speak for why the others did not but, the most common response I hear to this type of thing is that people feel they can’t or won’t win and that it will be a waste of time for nothing in return. That thinking only allows the bad guys to win.

How would you describe the behavior and attitude of Ms. Davis in response to your case? 

I see an exact repeat of behavior with this new incident. Her initial response was to deny any wrongdoing and go on the defensive. She was VERY smug and refused to apologize for anything. As you can see in the screen shots included in my blog post about my case, her defense was that she is a single parent that doesn’t have a husband to pay her bills and other people are doing the same thing. Her and her pirate friends also went so far as to create a fake account on this underground file sharing website using the name of a business I used to own so that they could try to claim that I was one of them participating in the same illegal behavior. She was so brazen and smug that she actually outed herself and gave her full name, age, location, and names of her businesses at the time. And of course she threw in there that she would turn the tables and sue for defamation because we busted her for stealing. She claimed we were cyber bullying her! Then she began deleting comments and blocking people.

Did you attempt to resolve this conflict privately? Why did you decide to go public with your story?

There was a lot of chaos happening online, very much similar to the explosion you are seeing with this latest issue but, contained mostly to Facebook and the underground forum. I wasn’t even home when this was all uncovered – I was alerted via a Facebook message while I was on a dinner date with my husband. By the time I got home to really see what was going on the whole thing was blown wide open and her behavior and the details of the situation forced me to skip any attempt at resolving anything privately with her.

I shared my story because copyright infringement and piracy are two very big and very real issues that a lot of people think they understand but, they really don’t understand them enough. I wanted to let people know that sharing of copyright protected files is illegal – whether you share them with one person or thousands – and it is something that can be punishable in a court of law. She stated “I purchased the files from you. I can do what I want with them.” Unfortunately, that isn’t how it works at all.

I also wanted the professional photography community (the majority of her customers as well as mine) to know that there was someone that they might think was trustworthy and ethical that wasn’t really that way at all. You really do need to be careful who you are doing business with.

In light of the recent conflict Seasalt & Co. had over “The Hanging Tree” image are you surprised that your case and ethical questions have resurfaced?

I am not surprised at all. I know that my blog post, which was originally posted in August of 2014, has been shared across social media numerous times and I know that it does come up relatively quickly in a google search of her business name.

Do you think this pattern of behavior will stop?

Absolutely not. Especially since this newest incident was so very public compared to mine and she responded the exact same way. Defensive, threatening, and unapologetic. Ironically, she has a Photoshop action set named “Unapologetic”.

Unapologetic set by Seasalt & Co.

Many creatives are told to just ‘let it go’, ‘be original’, ‘don’t worry about copying or IP theft’ and to avoid public negativity online. Do you agree with any of these statements or do you feel we have a responsibility as citizens of our on and offline communities to share information so we can make thoughtful decisions?

I am all about being original, for sure. There is a difference between blatant copying and being inspired by another artist’s work. I definitely feel that we have a responsibility to share information with each other so that we all can make thoughtful and informed decisions. I definitely would want to know if a company that I was potentially going to do business with had ever engaged in unethical business practices. I wouldn’t want to align myself with anyone or any business that didn’t share similar ethical and moral boundaries.

Since Ms. Davis never paid the damages awarded to you by the court and has never taken responsibility for her actions what would you like to see as the outcome of this recent conflict. Are you concerned that other creatives will continue to purchase products of questionable ethics from her or her affiliates?

I am definitely concerned that unknowing individuals will continue to be fooled by her and will continue to support a business that is engaging in unethical behaviors. As seen by the comments that were being left on her business Facebook page it is obvious that she has a herd of sheep that believe whatever she says and think she can do no wrong – even when there is black and white evidence, public record from a court of law no less, to support claims of unethical and illegal behavior.

Should she be allowed to continue her pattern of destroying evidence and setting up new identities?

Absolutely not. This pattern has been ongoing for years now. It is time for the cycle to end.

Seasalt & Co.

After winning her case Terry got the okay from her attorney to go public and wrote her blog post for Sassy Designs that has since circulated wide and far. Seasalt Paperie/Seasalt & Co. published a response on their blog in 2014 that has since been deleted but screenshots can be seen here and here. Why the name change from Seasalt Paperie to Seasalt & Co. and potentially to yet another business named ‘new Seasalt Boardwalk’ ? The answer might be in the response from a source that asked to stay anonymous due to the fact that she has allegedly already been on the receiving end of Ms. Davis’s anger online after inquiring into why then Seasalt Paperie was claiming credit for stock photos on a site that claimed to be selling tools to photographers.

Recently Ms. Davis/Seasalt & Co. emailed customers this newsletter and posted a donation page on their website to recover funds allegedly unknowingly spent on pirated 3rd party software. The email asks for donations of $575 when the script is listed at $178. The “scam site” she claims to have purchased from lists it at $49-$199 while the “real” site she claims to now have to purchase from lists it at $178.

UPDATE 4:56pm: There is now a YouCaring fundraiser set up to fundraise $5000 for Seasalt & Co. & help in “standing up for justice against those responsibile for promoting and spreading hate, racism and online riots causing severe damage to Seasalt & Co.” For how to report on fraudulent YouCaring campaigns scroll to the bottom of this post or click here.


To help with filing potential complaints and to protect the public a full disclosure of all links, pages, and brand identities found that appear to belong to or be associated with ‘Seasalt & Co.’ and Ms. Brittany Nicole Davis is as follows:

If you have had dealings with any of these companies or aliases that seem ethically questionable, if you think you have been defrauded, or you have further documentation there are options available to you.

If enough people report and submit documentation a criminal investigation will be opened. Doing business under fake identies is illegal as is pirating or reselling copyrighted files.

If you are a victim of or witness to internet crime: Be a Good Citizen!

Document it. Screenshots, emails, and other documents are used to determine whether the complaint is valid. While even deleted information can be accessed by agencies like the FBI keeping personal records helps lend credibility to your complaint.

Report it. If you are a victim of or witness to internet crime as long as one of the parties involved is in the USA you can report to The Internet Crime Complaint Center (IC3), a partnership between the Federal Bureau of Investigation (FBI) and the National White Collar Crime Center (NW3C). Internet crime as defined by the IC3 website is: ‘any illegal activity involving one or more components of the Internet, such as websites, chat rooms, and/or email. Internet crime involves the use of the Internet to communicate false or fraudulent representations to consumers. If you believe you are the victim of an Internet crime, or if you are aware of an attempted crime, you can file a complaint on our website. Be sure to include as much information as possible about yourself (i.e. name, email address, mailing address, etc.), the perpetrator, and the Internet crime that you are reporting in order to expedite your complaint.’’

Learn more about internet crime and how to report on the Victim Voice website

or Click here to file a complaint with the IC3.

If you are a resident of Florida or aware of a scam or online crime you can also report to Consumer Protection Division of The Florida Office of the Attorney General. In particular the Florida Communications Fraud Act may apply.

In both the USA and Canada you can report unethical business behavior to the Better Business Bureau in your state or province.

If all parties are within in Canada internet crime relating to fraud should be reported to the Canadian Anti-Fraud Center and online harassment to your local RCMP.

In Florida, as with most other states as well as internationally, online threats are often considered a serious, if not criminal, offense. Without My Consent, offers tools to fight online harassment including details on reporting ‘menacing’ or criminal harassment in Florida Statutory Criminal Law. defined by the Official site of the Florida Legislature as “(2) Any person who willfully, maliciously, and repeatedly follows, harasses, or cyberstalks another person commits the offense of stalking, a misdemeanor of the first degree, punishable as provided in s. 775.082 or s. 775.083.”  Chapter 748 of the 2014 Florida Statutes.

Notify service providers immediately. Online service providers should all have terms of service and policies prohibiting false accounts, fraud, and illegal, hateful, or malicious activity. Most of them also prohibit content that is violent or promotes suicide and self-harm. Report suspicious behaviour and accounts appropriately as soon as you see them. These companies often outsource consumer protection to other companies who sift through massive amounts of data, give them all a hand by reporting clearly and quickly. Enough emails about specific users causes them to flag those accounts for inspection.

CreativeMarket: Learn how to report questionable content and users here.

Etsy: Learn to protect yourself as a buyer and seller here and how to report on policy violations here.

Facebook: To learn how to report false or misleading profiles on Facebook click here. To report inappropriate or abusive things on Facebook like hate speech or threats click here.

Twitter: To report an account for impersonation click here. Report abusive behavior here. 

Pinterest: Learn how to report harassment on Pinterest here and report anything that promotes self-harm, eating disorders or hard drug abuse here, impersonation policies are here,

YouCaring: To report suspected fraudulent YouCaring Campaigns email with the suspected URL. To learn more, click here.

YouTube: Learn about YouTube policies on hate speech, harassment, impersonation, threats, and violent or graphic content here. Or use their reporting tool to file your complaint.

Sometimes the internet gives the illusion that we can rewrite history and revise our opinions with conveniently deleting evidence or identities but with so many eyes on us every action we make online leaves a trail that over time becomes a public document of our values and conduct. This new kind of transparency is making ethical and consistent professional behavior online not just a luxury but a top priority for all digital citizens and companies. It is also law. When you combine advertising ethics, social accountability, corporate (or personal) responsibility, copyright infringement and possible real crime, scamming, and fraud looking carefully at the facts is important if we want to call ourselves a community and claim to protect each other.

What do you think – should artists be allowed to unapologetically do whatever they like in the name of artistic freedom? Has Seasalt & Co. behaved consistently in an ethical manner? Is reporting on these types of issues publicly important for the creative community?

If you have further information or documentation you wish to share, leave a comment or contact OMHG. Please use the comments to have a thoughtful and respectful conversation about these recent events, our duty to report and inform, and your experiences with online crime or ethics.